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The Renaissance
1. This architectural style, the resource of inspiration for many European architects, developed in early 15th century Italy during the rebirth of classical art and learning. It succeeded the Gothic as the style dominant in all of Europe after the mid 16th century into classicism. Knowledge of the classical style in architecture was derived during the Renaissance from two sources: the ancient classical buildings, particularly in Italy, but also in France and Spain and the treatise “De architectura” by the Roman architect Vitruvius. Initially, it was characterized by the use of the classical orders, round arches, and symmetrical composition.
2. The Renaissance architects found a harmony between the proportions of the human body and those of their architecture. There was even a relationship between architectural proportions and the Renaissance pictorial device of perspective. The concern for proportion caused that clear, measured expression and definition of architectural space and mass that differentiates the Renaissance style from the Gothic. Churches, palaces, gardens, and well-organized open, urban spaces are the architectural works most often associated with this time.
3. Filippo Brunelleschi (1377-1446) is said to have created the Renaissance. In the early 15th century he formulated linear perspective, which was to become a basic element of Renaissance art. His basic vocabulary – fluted pilasters carrying entablatures, columns supporting arches, unribbed vaults which are portions of the surface of a sphere – appears in his brilliant work, Ospedade degli Innocenti (1419-51) in France. It was the first building in the Renaissance manner.
4. The Italian Renaissance is assumed to have achieved the highest degree of perfection in the early 16th century. In 1505 Pope Julius II decided to build St. Peter’s Cathedral, the work of many architects, beginning with Bramante, whose ground plan was later changed from a Greek cross to a Latin cross. St. Peter’s Cathedral is the largest church in the high Christian world. It has 29 altars in addition to the high altar. The dome of St. Peter’s Cathedral was built by Michelangelo.
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A harmony between the proportions of the human body and those of the architecture became a discovery of Renaissance architects.
