Вопрос № 860588 - Английский язык

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Architectural Planning
1. The natural environment is at once hindrance and a help, and the architect seeks both to invite its aid and to repel its attacks. To make building habitable and comfortable, one must control the effects of heat, cold, light, air, moisture, and dryness and foresee destructive potentialities such as fire, earthquake, flood, and disease. The placement and form of buildings in relation to their sites, the distribution of spaces within buildings, and other planning devices discussed below are fundamental elements in the aesthetics of architecture.
2. The arrangement of the axes of buildings and their parts is a device for regulating the effects of sun, wind, and rainfall. Within buildings, the axis and placement of each space determine the amount of sun it receives. Orientation may control air for circulation and reduce the disadvantages of wind, rain, and snow. The characteristics of the immediate environment also influence orientation: trees, land formation, and other buildings create shade and reduce or intensify wind, while bodies of water produce moisture and reflect the sun.
3. The choice of materials is conditioned by their own ability to withstand the environment as well as by properties that make them useful to human being. One of the architect's jobs is to find a successful solution to both conditions; to balance the physical and economic advantages of wood against the possibility of fire, termites, and mold, the weather resistance of glass and light metals against their high thermal conductivity, and many similar conflicts.
4. The control of the environment through the design of the plan and the outer shell of a building cannot be complete since extremes of heat and cold, light, and sounds penetrate into the interior, where they can be further modified by the planning of spaces and by conditioning devices. Today, heating, insulation, air conditioning, lighting, and acoustical methods have become basic parts of the architectural program.
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Architectural Planning
1. The natural environment is at once hindrance and a help, and the architect seeks both to invite its aid and to repel its attacks. To make building habitable and comfortable, one must control the effects of heat, cold, light, air, moisture, and dryness and foresee destructive potentialities such as fire, earthquake, flood, and disease. The placement and form of buildings in relation to their sites, the distribution of spaces within buildings, and other planning devices discussed below are fundamental elements in the aesthetics of architecture.
2. The arrangement of the axes of buildings and their parts is a device for regulating the effects of sun, wind, and rainfall. Within buildings, the axis and placement of each space determine the amount of sun it receives. Orientation may control air for circulation and reduce the disadvantages of wind, rain, and snow. The characteristics of the immediate environment also influence orientation: trees, land formation, and other buildings create shade and reduce or intensify wind, while bodies of water produce moisture and reflect the sun.
3. The choice of materials is conditioned by their own ability to withstand the environment as well as by properties that make them useful to human being. One of the architect's jobs is to find a successful solution to both conditions; to balance the physical and economic advantages of wood against the possibility of fire, termites, and mold, the weather resistance of glass and light metals against their high thermal conductivity, and many similar conflicts.
4. The control of the environment through the design of the plan and the outer shell of a building cannot be complete since extremes of heat and cold, light, and sounds penetrate into the interior, where they can be further modified by the planning of spaces and by conditioning devices. Today, heating, insulation, air conditioning, lighting, and acoustical methods have become basic parts of the architectural program.
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The Renaissance
1. This architectural style, the resource of inspiration for many European architects, developed in early 15th century Italy during the rebirth of classical art and learning. It succeeded the Gothic as the style dominant in all of Europe after the mid 16th century into classicism. Knowledge of the classical style in architecture was derived during the Renaissance from two sources: the ancient classical buildings, particularly in Italy, but also in France and Spain and the treatise “De architectura” by the Roman architect Vitruvius. Initially, it was characterized by the use of the classical orders, round arches, and symmetrical composition.
2. The Renaissance architects found a harmony between the proportions of the human body and those of their architecture. There was even a relationship between architectural proportions and the Renaissance pictorial device of perspective. The concern for proportion caused that clear, measured expression and definition of architectural space and mass that differentiates the Renaissance style from the Gothic. Churches, palaces, gardens, and well-organized open, urban spaces are the architectural works most often associated with this time.
3. Filippo Brunelleschi (1377-1446) is said to have created the Renaissance. In the early 15th century he formulated linear perspective, which was to become a basic element of Renaissance art. His basic vocabulary – fluted pilasters carrying entablatures, columns supporting arches, unribbed vaults which are portions of the surface of a sphere – appears in his brilliant work, Ospedade degli Innocenti (1419-51) in France. It was the first building in the Renaissance manner.
4. The Italian Renaissance is assumed to have achieved the highest degree of perfection in the early 16th century. In 1505 Pope Julius II decided to build St. Peter’s Cathedral, the work of many architects, beginning with Bramante, whose ground plan was later changed from a Greek cross to a Latin cross. St. Peter’s Cathedral is the largest church in the high Christian world. It has 29 altars in addition to the high altar. The dome of St. Peter’s Cathedral was built by Michelangelo.
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Basement Construction Hints
1. Many people find a basement construction as a necessary part of a house building process while others think it does them practically no good. It is largely a matter of what a person is accustomed to. It is true that the volume of space added to a house by a basement is large, and the cost is small, but is the space usable and desirable, or is it largely waste?
2. Perhaps the basement construction is needed when you want a rumpus room, or game room, or den, or something of that kind. Then be sure to make the ceiling at least 8 feet high. It is easy to make a dry basement in well-drained soil or on high ground where a drain tile can be run around the outside of the basement, but in low, wet ground beware of a basement.
3. Should you build one or two stories? That depends largely on your experience and background and the custom of the locality where you live. This question must be settled before you begin to plan your house, as it will have a profound effect on your house plan. First, is your lot large enough to get all the house you want on one floor and still leave room enough for the outdoor activities you contemplate? Do you really want or need an upstairs? Many people like to sleep upstairs, because it gives them a greater feeling of security. If you have always slept upstairs, you feel more exposed on the main floor. By putting high windows in the bedroom you can partly protect yourself from this exposed feeling on the main floor.
4. Most new subdivisions in the West are being built on the one-story plan. Much depends on local conditions and customs. In hot dry sections, where it would seem that basements would be ideal, they are seldom used, while in wet, damp sections, where basement construction may be a problem, they are used extensively. This is not to say that you do not need the storeroom any more, though every house needs a storeroom, complete with shelves, hooks, and every convenience to store and classify all materials and possessions; 12' x 20' in size, the size of a garage, ought to be large enough for most families, if they carefully scrutinize the things they store to make sure they are worth storing and get rid of the things not worth keeping.
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Architectural Planning
1. The natural environment is at once hindrance and a help, and the architect seeks both to invite its aid and to repel its attacks. To make building habitable and comfortable, one must control the effects of heat, cold, light, air, moisture, and dryness and foresee destructive potentialities such as fire, earthquake, flood, and disease. The placement and form of buildings in relation to their sites, the distribution of spaces within buildings, and other planning devices discussed below are fundamental elements in the aesthetics of architecture.
2. The arrangement of the axes of buildings and their parts is a device for regulating the effects of sun, wind, and rainfall. Within buildings, the axis and placement of each space determine the amount of sun it receives. Orientation may control air for circulation and reduce the disadvantages of wind, rain, and snow. The characteristics of the immediate environment also influence orientation: trees, land formation, and other buildings create shade and reduce or intensify wind, while bodies of water produce moisture and reflect the sun.
3. The choice of materials is conditioned by their own ability to withstand the environment as well as by properties that make them useful to human being. One of the architect's jobs is to find a successful solution to both conditions; to balance the physical and economic advantages of wood against the possibility of fire, termites, and mold, the weather resistance of glass and light metals against their high thermal conductivity, and many similar conflicts.
4. The control of the environment through the design of the plan and the outer shell of a building cannot be complete since extremes of heat and cold, light, and sounds penetrate into the interior, where they can be further modified by the planning of spaces and by conditioning devices. Today, heating, insulation, air conditioning, lighting, and acoustical methods have become basic parts of the architectural program.
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The Renaissance
1. This architectural style, the resource of inspiration for many European architects, developed in early 15th century Italy during the rebirth of classical art and learning. It succeeded the Gothic as the style dominant in all of Europe after the mid 16th century into classicism. Knowledge of the classical style in architecture was derived during the Renaissance from two sources: the ancient classical buildings, particularly in Italy, but also in France and Spain and the treatise “De architectura” by the Roman architect Vitruvius. Initially, it was characterized by the use of the classical orders, round arches, and symmetrical composition.
2. The Renaissance architects found a harmony between the proportions of the human body and those of their architecture. There was even a relationship between architectural proportions and the Renaissance pictorial device of perspective. The concern for proportion caused that clear, measured expression and definition of architectural space and mass that differentiates the Renaissance style from the Gothic. Churches, palaces, gardens, and well-organized open, urban spaces are the architectural works most often associated with this time.
3. Filippo Brunelleschi (1377-1446) is said to have created the Renaissance. In the early 15th century he formulated linear perspective, which was to become a basic element of Renaissance art. His basic vocabulary – fluted pilasters carrying entablatures, columns supporting arches, unribbed vaults which are portions of the surface of a sphere – appears in his brilliant work, Ospedade degli Innocenti (1419-51) in France. It was the first building in the Renaissance manner.
4. The Italian Renaissance is assumed to have achieved the highest degree of perfection in the early 16th century. In 1505 Pope Julius II decided to build St. Peter’s Cathedral, the work of many architects, beginning with Bramante, whose ground plan was later changed from a Greek cross to a Latin cross. St. Peter’s Cathedral is the largest church in the high Christian world. It has 29 altars in addition to the high altar. The dome of St. Peter’s Cathedral was built by Michelangelo.
Определите, какое утверждение не соответствует содержанию текста.