Вопрос № 56454 - Английский язык

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Modern Architecture
1. Modern architecture is the term universally applied to the style of building, which evolved a number of countries after the First World War as the International Style and which has culminated in the current design of glass, concrete and steel based on module construction presently being erected all over the world.
2. In the early 20th century an instinctive desire of architects to break away from the confusions and contrivances of the 19th century, and their efforts to introduce a style which responded to new social needs and exploited new materials led to the changed appearance of buildings; simple rectangular outlines; avoidance of symmetry; absence of applied ornament; flat roofs and white walls, resulting from the use of reinforced concrete, now the favorite material; large windows, which new structural techniques permitted, but which were encouraged also by the spirit of the times, which believed in opening up the interiors of buildings to light and air.
3. Until the 1930s, Germany was the main center of new architecture because of the presence there of a unifying institution, the Bauhaus, a college of design, which became synonymous with modern teaching methods in architecture.
4. In the years after 1945 the emphasis was on town-planning and housing. This was the era of new towns, vast housing estates. In matters of architectural style, it became less a question of conflict between period revival and modern design than between buildings designed for effect and those that aimed at the creation of a modern vernacular and a humane and harmonious environment. The Modern Movement cannot be said to have had a clear historical end. It always exited concurrently with other ways of designing.
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Modern Architecture
1. Modern architecture is the term universally applied to the style of building, which evolved a number of countries after the First World War as the International Style and which has culminated in the current design of glass, concrete and steel based on module construction presently being erected all over the world.
2. In the early 20th century an instinctive desire of architects to break away from the confusions and contrivances of the 19th century, and their efforts to introduce a style which responded to new social needs and exploited new materials led to the changed appearance of buildings; simple rectangular outlines; avoidance of symmetry; absence of applied ornament; flat roofs and white walls, resulting from the use of reinforced concrete, now the favorite material; large windows, which new structural techniques permitted, but which were encouraged also by the spirit of the times, which believed in opening up the interiors of buildings to light and air.
3. Until the 1930s, Germany was the main center of new architecture because of the presence there of a unifying institution, the Bauhaus, a college of design, which became synonymous with modern teaching methods in architecture.
4. In the years after 1945 the emphasis was on town-planning and housing. This was the era of new towns, vast housing estates. In matters of architectural style, it became less a question of conflict between period revival and modern design than between buildings designed for effect and those that aimed at the creation of a modern vernacular and a humane and harmonious environment. The Modern Movement cannot be said to have had a clear historical end. It always exited concurrently with other ways of designing.
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In the second half of the XXth century the emphasis in architecture was on …

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1. He usually drinks coffee in the morning, _____?
2. He doesn’t like apples, _____?
3. He didn’t work hard, _____?
4. Some years ago grandfather grew grapes, _____?

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Two nice _______ live in my house.

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Early Christian and Byzantine Architecture
1. The architecture of Byzantium, or Eastern Roman Empire, was the culmination of Early Christian architecture. This style can be traced back to the period after 330 BC. The art characteristic of the developed Byzantine Empire had enormous influence on both East and West, spread widely and lasted throughout the Middle Ages until the fall of Constantinople to the Turks in 1453.
2. The dominant Byzantine art was architecture. It was characterized by round arches, elaborate columns, richness in decorative elements and colour. But the chief contribution of the Byzantine style to the architecture of the world was large pendentive-supported dome. Brick was the main material used for the construction of Byzantine churches. It was covered externally with plaster and internally with thin marble facing and mosaics above.
3. The Byzantine style reached a high point in the reign of the Emperor Justinian (527-565). He built and rebuilt 26 churches, many hospitals, bridges aqueducts, and fortress. The outstanding masterpiece of Byzantine church architecture is Hagia or Saint Sophia in Constantinople (now Istanbul). Hagia Sophia remained unique and no attempts were thereafter made by Byzantine Builders to emulate it. Its chief feature is the huge dome, approximately 32.6 m in diameter, rising 56 m above the floor. It’s carried on pendentives. There are also half-domes at two ends which are, in turn, carried by smaller semidomed exedrae. The interior surface of the edifice is richly decorated.
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Alice said that her parents _____ back in a week.